Bernini: Sculpting in Clay

Bernini: Sculpting in Clay argues for the centrality of modeling in clay to Gian Lorenzo Bernini’s total conception of sculpture (also reviewed here in caa.reviews), ranging from the placement of one or more bodies and their limbs in space, down to the treatment of folds of drapery, locks of hair, and the articulation of the elasticity of flesh—regardless of whether the intended sculptures were to be cast in bronze, carved from marble or travertine, or modeled in stucco. Bernini sought to

Bernini and the Baroque · V&A

Laura Gilbert__ Art Unwashed: Bernini: Sculpting in Clay at the Met: How'd He Do It?

BERNINI: Sculpting in Clay – The Brooklyn Rail

Clay Conversation

Bernini hangs around for an encore: Kimbell Art Museum extends the show into May

Lessons from Bernini, Index Magazine

Marie Dauenheimer's Art and Anatomy Blog: Bernini Sculpting in Clay at the Metropolitan Museum of Art

Bernini: Sculpting in Clay at the Met: How'd He Do It? Baroque sculpture, Art painting oil, Figurative sculpture

Material Bernini - An International Symposium

bernini sculpting in clay - AbeBooks

Bernini: Sculpting in Clay - MetPublications - The Metropolitan Museum of Art

Bernini: Sculpting in Clay at the Met - Charles Giuliano - Berkshire Fine Arts

Model for the Equestrian Statue of King Louis XIV - Bernini Gian Lorenzo

Bernini: Sculpting in Clay' at the Metropolitan Museum - The New York Times

No. 71: C.D. Dickerson, Nathaniel Silver – The Modern Art Notes Podcast